![]() ![]() ![]() Directed by Daniel 'Cloud' Campos, Spencer Susser. Urie went steampunk with 2011’s “The Ballad Of Mona Lisa,” while his group also shared a short film that year, titled The Overture, which featured a handful of tracks from their album Vices & Virtues. 'Say Amen (Saturday Night)' music video by Panic at the Disco. Then, 2009’s “New Perspective” was peppered with clips of Jennifer’s Body, the Megan Fox-starring film that the song appeared in. ![]() Their Beatles-infused music video for “Nine In The Afternoon” was released the following year, along with “Mad as Rabbits,” “That Green Gentleman (Things Have Changed)” and “Northern Downpour.” The group also dropped “It’s Almost Halloween” in 2008, which showcases the guys dressed as spooky characters as they perform a psychedelic dance routine. The year 2007 saw the release of Panic! at the Disco’s “Build God, Then We’ll Talk” video, which follows a “pornomime” (which is exactly what it sounds like) who falls in love with a fan, only for them to “cheat” on each other with imaginary people. Ten Years Ago, Panic at the Disco Took a 'Pretty' Big Risk With Their Second Studio Album Urie and co-founding drummer Spencer Smith pushed the band's sound toward synthy, '80s-style new wave and dance-punk on 2011's Vices & Virtues, and expanded into a swaggering blend of electronic pop. Odd., split fans and critics, and found them beginning a creative journey that would also bring lineup changes. ![]() The band completely ditched the baroque pop dynamic of the band, something that remained through all of the last three albums despite their heavy contrasting factors, in favour for electronics, a continuation of the synth-heavy Vices & Virtues but much more leaning towards dance. However, their follow-up, the '60s psychedelia-influenced Pretty. At the time, this was a pretty odd release for Panic. Championed from the start by fellow emo-pop favorites Fall Out Boy, Panic! At the Disco found success on MTV and on the charts with the wordy, hyperkinetic anthem "I Write Sins Not Tragedies" from their 2005 debut, A Fever You Can't Sweat Out. One of the biggest acts to emerge out of the emo movement of the mid-2000s, Panic! At the Disco transcended their early fame, transforming into a vehicle for singer Brendon Urie's charismatic, cross-pollinated brand of pop. ![]()
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